Jongensportret: profiel by Thomas Worlidge

Jongensportret: profiel c. 1730 - 1766

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drawing, dry-media, pencil

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portrait

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pencil drawn

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drawing

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pencil sketch

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charcoal drawing

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dry-media

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pencil drawing

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pencil

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portrait drawing

Dimensions height 99 mm, width 64 mm

Curator: Well, hello there. Looking at "Boy’s Portrait in Profile," a pencil drawing likely created between 1730 and 1766, attributed to Thomas Worlidge, currently held here at the Rijksmuseum. Editor: I find it quite striking. There's a fragility, almost an ephemeral quality, created by the lightness of the pencil strokes. The lines are so delicate, it feels as though the image might fade away if you look at it too intently. Curator: Indeed, the delicate linework mirrors the socio-economic position of portraiture during this period. These works served as status symbols and increasingly documented the burgeoning middle classes, emulating aristocratic visual traditions, making portraiture more accessible. Editor: The loose, almost scribbled lines that form the boy’s hair are especially interesting. There is an energy in that contrast between the more detailed features and the dynamism of the hair. Curator: I think it's worth noting the changing conventions around childhood, too. We see shifts in clothing and presentation, mirroring societal attitudes regarding children's roles. Editor: I’d like to comment on the composition. The strict profile view simplifies the form, focusing our attention on the contours of the face and hair. Curator: The limitations of the medium – simple pencil – arguably emphasize other things. His clothes, for example, speak to certain privileges afforded to the subject. It makes us wonder who this boy was and what his prospects would be in a society that clearly valued preserving his image. Editor: Perhaps the stark simplicity enhances its enduring impact on me. It bypasses artifice. I find I’m genuinely connecting with a figure across centuries. Curator: Precisely. The very existence of this artwork speaks to evolving social structures and the impulse to document individual lives. Editor: An intimate peek at an otherwise unremarkable individual. The interplay between technique and history offers layers to unpick, doesn't it? Curator: Absolutely. Art continually gives us unique angles through which to see not only ourselves, but also history.

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