Dimensions: support: 1060 x 1372 mm frame: 1270 x 1580 x 90 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Francis Barlow's canvas showcases "A Roller, Two Peregrine Falcons and a Long-Eared Owl with her Young." It's a fascinating depiction of the natural world. Editor: The immediate impression is a dramatic confrontation—a flurry of feathers, a darkening sky. There's a definite tension in the composition, wouldn't you agree? Curator: Absolutely, this piece reflects a growing interest in natural history in the late 17th century, coinciding with scientific observation and classification. Editor: The textures are remarkable. Look at the detail in the plumage of the falcons versus the softness implied in the owl chicks. Barlow really captures the contrast. Curator: These works became fashionable as symbols of country estates, often commissioned by landowners to celebrate their domains. Editor: It's a compelling narrative, whatever its origins. The implied predatory drama set against that painterly, almost theatrical landscape. Curator: A glimpse into a world increasingly shaped by human observation. Editor: A powerful testament to the artist's eye for detail, and the enduring tension between observer and observed.
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http://www.tate.org.uk/art/artworks/barlow-a-roller-two-peregrine-falcons-and-a-long-eared-owl-with-her-young-t01402
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Barlow is the earliest known British-born animal painter. He began a tradition that reached a high-point in the work of George Stubbs a century later. During Barlow’s lifetime animal paintings were still largely associated with decorative arts and the interior design of houses. The birds shown here are both exotic and unusual; they symbolise knowledge, wealth and power. Peregrine falcons are supreme birds of prey traditionally used in falconry, the sport of monarchs and aristocrats. Falcons, rollers and long-eared owls were not native species to Britain, adding an air of exoticism to the picture. Gallery label, September 2004