The Two Trees (An Alder and an Ash) by Hercules Segers

The Two Trees (An Alder and an Ash) c. 1625 - 1630

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drawing, paper, watercolor

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drawing

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water colours

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landscape

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paper

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watercolor

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watercolour illustration

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northern-renaissance

Dimensions: height 152 mm, width 173 mm

Copyright: Rijks Museum: Open Domain

Curator: Immediately striking; such delicate lines capturing these stoic trees. It feels both grand and intimate simultaneously. Editor: Indeed. This subtle watercolour drawing, "The Two Trees (An Alder and an Ash)", created circa 1625-1630 by Hercules Segers, showcases the artist’s command over landscape art. Segers, working during a period defined by intense landscape interest, uniquely portrays these trees, quite different from the idealized landscapes commonly sought after by his patrons. Curator: It’s so compelling that you describe that backdrop of idealized landscapes. This piece eschews traditional beauty for a kind of…quiet realism? And using only watercolours on paper seems such a subtle medium, too. Editor: Absolutely. Remember the Dutch landscape tradition that emphasized naturalism; there was an increasing value being placed on nature. Think of the symbolism inherent in trees as emblems of resilience and shelter. These two seem quite lonely standing as they are. The symbolism within it can change depending on the political climates of its audience, in which nature can be both ally and enemy. Curator: So true. The Alder with its folkloric connections to protection against spirits, facing the more grounded and sturdy Ash—is there perhaps a statement here about the intersection of faith and earthly survival, considering Seger's own tumultuous financial status. This adds a social layer. Editor: Interesting point. Maybe we see something of Segers’ spirit, navigating these complexities of art-making and living in this quietly compelling landscape he renders for us. Curator: Absolutely, it's almost meditative looking at how meticulously he's outlined everything in these quiet earth tones. Segers' skill is to create this grand sense of scale with a few humble marks. What initially seemed a simple sketch blooms into an expansive tableau that reflects deeper cultural undercurrents of this era. Editor: Precisely, his mastery leaves an indelible print. The two trees stand for an untold history of artistic struggles and societal complexities in such sublime form, a poignant look.

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Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

The young alder and ash shown here are among the most convincing and original renderings of trees in 17th-century art. Both species abound in the river landscapes in which Segers travelled around.

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