Minamoto no Yoritomo, from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijÅ«shishō) c. 1821

Editor: Here we have Yashima Gakutei's "Minamoto no Yoritomo," a woodblock print. The detail in the robes is stunning, almost textile-like. What can you tell me about the process behind this? Curator: Consider the social context. Woodblock printing allowed for wider distribution, democratizing access to images of power. The labor-intensive carving and printing processes speak to a collective effort, challenging notions of singular artistic genius. Editor: So, it’s less about the individual artist and more about the system that allowed this image to be made? Curator: Precisely! We also see the consumption of luxury goods represented. How might this print function within a market economy? What does it tell us about the status of Minamoto no Yoritomo? Editor: It gives me a lot to think about regarding the materials used and how accessible this artwork could be back then. Thanks!