Amstel Hotel in Amsterdam gezien over de Amstel vanuit het zuidwesten by Andries Jager

Amstel Hotel in Amsterdam gezien over de Amstel vanuit het zuidwesten c. 1867 - 1910

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photography, albumen-print

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water colours

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dutch-golden-age

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landscape

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photography

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19th century

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cityscape

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watercolour illustration

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watercolor

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albumen-print

Dimensions height 90 mm, width 133 mm

Editor: So, this is a photograph titled "Amstel Hotel in Amsterdam gezien over de Amstel vanuit het zuidwesten," taken sometime between 1867 and 1910. It's an albumen print, giving it this really dreamy, almost sepia-toned look. I'm struck by how imposing the hotel seems, especially contrasted with the calm water. What's your take? What do you see in this piece? Curator: What do *I* see? Hmm. I see a reflection, not just in the water, but a reflection of Amsterdam itself at that moment in time. It's as if the city is gazing back at itself, perhaps a little surprised by its own grandeur. It also captures a moment in technological advancement, a bridge between old-world charm and modern ambition through the photographic lens. The print, I suspect, also held a bit of romanticism—a souvenir almost. Does it make you feel as though you’ve been there? Editor: A souvenir, definitely! It feels very much like a postcard, an artifact meant to capture and hold a memory. The way the light shimmers on the water makes me feel nostalgic for a place I've never been. But do you think the artist was trying to make some statement about society at the time? Curator: Statement is a big word. Perhaps a whisper instead? A whisper of ambition, of progress, of beauty finding itself mirrored in the everyday. Though in many ways that everyday doesn't quite feel so "everyday" any more! It does prompt a deeper question: What is luxury to us, then and now? And how do we hold onto the memories that luxury evokes? Do our selfies on phones have the same quality, the same quiet hum? Editor: That's a fascinating point. Maybe it's not about luxury per se, but about capturing a specific moment, freezing a particular kind of experience. It makes you think about what we choose to preserve. Curator: Exactly! Now *that's* a souvenir I'd take home with me: the question itself. Thank you! Editor: And thank you! I feel like I've learned to look at photographs in a completely new way.

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