Sluizen in de Amstel, gezicht vanaf de Hogesluis met op de achtergrond de Magere Brug by Pieter Oosterhuis

Sluizen in de Amstel, gezicht vanaf de Hogesluis met op de achtergrond de Magere Brug before 1860

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photography, albumen-print

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16_19th-century

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dutch-golden-age

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landscape

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photography

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cityscape

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albumen-print

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realism

Dimensions height 107 mm, width 158 mm

Editor: This albumen print, titled "Sluizen in de Amstel, gezicht vanaf de Hogesluis met op de achtergrond de Magere Brug," captured before 1860 by Pieter Oosterhuis, presents such a serene, almost melancholic view of Amsterdam. The muted tones and stillness of the water create this dreamlike quality. What grabs your attention most about this scene? Curator: Oh, isn’t it just captivating? The fog itself almost feels like memory doesn't it? Like dipping into a pool of the city's past. For me, it's the reflections—those dancing shadows that mimic reality, hinting at hidden depths both in the water and in the city's soul. Editor: Hidden depths… I like that. How does that tie into the historical context? Curator: Well, imagine Oosterhuis, lugging his bulky camera equipment around, trying to freeze this bustling port in time. This wasn't just a snapshot; it was an act of preservation. To look back at Dutch Masters who so elegantly painted cityscapes and canals, how amazing that the relatively brand new art of photography allows us to witness how it all lived, changed and remained the same. How, even then, a simple snapshot holds a universe. Isn't that astonishing? Editor: Absolutely! I hadn't considered the preservation aspect so deeply before. Looking at the clarity given the early days of photography, did Oosterhuis have any specific techniques that helped? Curator: Think about how the "Realism" style made capturing light, shadow, and textures, from rough stone to flowing water into what we see now. And with such dedication… what kind of stories does the old boat there hide? And those quaint buildings lined up on the left—you almost smell the river itself. I could gaze at that fog-licked scene for hours... Editor: It’s funny, I never thought about really *smelling* a photo, but now I almost can. Thanks for shifting my perspective! Curator: Isn't that the best part about art, though? Always a different perspective, always a new aroma to uncover.

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