Open Here I Flung the Shutter. Illustration to The Raven by Edgar Allan Poe by Edouard Manet

Open Here I Flung the Shutter. Illustration to The Raven by Edgar Allan Poe 1875

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drawing, print, ink, pen

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drawing

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ink drawing

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print

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pen sketch

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ink

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symbolism

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pen

Dimensions sheet: 21 5/16 x 13 3/4 in. (54.2 x 35 cm)

Curator: The Metropolitan Museum of Art holds this stark ink drawing titled "Open Here I Flung the Shutter. Illustration to The Raven by Edgar Allan Poe" created in 1875 by Édouard Manet. Editor: Oh, there’s something incredibly chilling about this image. The heavy contrast, the hunched figure—it all speaks to isolation and despair. Curator: Precisely! Manet uses ink and pen in this piece. Notice how he captures the textures with just these simple tools. There's the grainy effect of the ink washes for shadow, juxtaposed with the precision of his lines defining the architectural elements and figure’s posture. This tension feels key. Editor: The raw, almost unfinished quality of the sketch underscores the frantic mental state that Poe evokes in "The Raven," the idea of spiraling grief feels visually embedded. I am curious how Manet viewed his role when creating an illustration. Was it solely in service of Poe's market or was it an equal cultural production? Curator: The socio-political implications of producing illustrations like this one cannot be understated. There were limited opportunities for an avant-garde painter to be celebrated by academic or cultural elite. With more commercial acceptance of literary illustrations and popular stories, Manet’s art had new exposure. This method made fine art accessible to the public at large and created financial sustenance. Editor: Yes, Manet adapted this iconic piece of American literature to become part of France's artistic, publishing market, in his unique artistic language, and now it rests in a New York museum. Art's circulation through social spheres. Curator: Absolutely, and looking at Manet’s choice of media is vital. A drawing translated to print, easily mass-produced and disseminated. How far could this gothic figure penetrate the cultural fabric through widespread dissemination of The Raven. Editor: A fantastic point. Manet took a sad American poem and made a commercial work about deep artistic exploration and a grim interior space that transcends national boundaries, all thanks to readily available materials and methods of reproduction. A haunting image made all the more impactful by its historical and material context.

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