Temple, Amoy 1869

John Thomson made this albumen silver print of a temple in Amoy, now Xiamen, China, during his travels in the 1870s. Thomson’s photographs of China offer a window into the social and cultural landscape of the late Qing Dynasty, a period marked by internal strife and increasing foreign influence. The image presents the temple as a site of cultural encounter. The architectural details, from the multi-tiered roof to the intricate carvings, reflect traditional Chinese craftsmanship and religious beliefs. However, the presence of a lone figure on the steps, possibly a child, invites contemplation on the individual’s relationship to these ancient traditions. During this period, China faced pressure from Western powers seeking trade and territorial concessions. Thomson’s photographs documented these interactions, often portraying the Chinese people with respect while also reflecting the prevailing colonial attitudes of the time. Historical archives, travel literature, and studies in art history can help us understand the complex social and political dynamics that shaped both the creation and reception of images like this. Through them, we gain greater insight into the power of photography to shape perceptions and construct narratives about different cultures.