photography
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geometric
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monochrome
Dimensions height 389 mm, width 278 mm, height 515 mm, width 399 mm
This is a gelatin silver print by László Moholy-Nagy showing a view from the Pont Transbordeur. Imagine him, like, right up in the guts of this metal structure, looking down at a boat, all masts and sails. What was he thinking, hanging out up there? Maybe something about how the world was changing, about industry and movement and seeing things from a totally new angle. It's not just a photo, it's a whole way of seeing. The guy was interested in everything. The tones are so rich. It feels like Moholy-Nagy wanted us to experience the world as a construction, a series of intersecting lines and planes, where the familiar becomes strange and the everyday is full of surprises. Like the Bauhaus itself, this image offers the possibility to explore perception and experience reality with new eyes.
Comments
This may well be the penultimate example of Modernism as expressed in photography in the 1920s. Moholy-Nagy climbed to the top of the Marseille transporter bridge and photographed straight down. The rhythm of the metal construction, printed dark, contrasts with the circular concrete pillar. Two triangular sails of a ship passing by prevent the photograph from turning into an entirely abstract entity.
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