Dimensions: unconfirmed: 1980 x 2930 x 470 mm
Copyright: © Miroslaw Balka | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Miroslaw Balka's sculpture, "290 x 190 x 89, [diameter]20 x 23, [diameter]20 x 23," presents us with an intriguing arrangement of metal, wood, and those two small, spherical objects on the floor. Editor: It feels like a somber stage set, stripped bare. The muted browns and grays evoke a sense of melancholy, of something missing or lost. What are those materials? Curator: The steel and wood panels suggest a rough, industrial aesthetic. Balka's work often engages with memory and the body; the sculpture's dimensions may even relate to human scale. Editor: The steel cage-like structure certainly has a prison-like quality. Perhaps a meditation on confinement, physically or psychologically. Curator: Perhaps. And the two small spheres at the base, what do they signify? Are they meant to represent a pair of eyes, watching, or perhaps something more symbolic? Editor: I see them more as primal forms, like earth or seeds, offering a tiny glimmer of hope against the starkness of the metal. Curator: That interplay between the cold, manufactured elements and the naturalistic spheres is quite striking. Editor: A compelling contrast, prompting us to ponder the tension between constraint and potential.
Comments
http://www.tate.org.uk/art/artworks/balka-290-x-190-x-89-diameter20-x-23-diameter20-x-23-t07063
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
This sculpture is one of a group of works that make up Dawn, an ensemble of sculptures that may be displayed in different configurations and combinations. Balka’s frequent use of such materials as ash, salt and soap allude to bodily residue. These substances function in his work as indicators of absence and loss. Although Balka’s sculptures do not literally refer to the body, they are intended to be more corporeal than if they did. They have been described as ‘traces of a life, of memories and sorrow’. Gallery label, August 2004