Dimensions 14 1/4 x 19 3/8 in. (36.2 x 49.21 cm) (sheet, trimmed within platemark)
François Philippe Charpentier created 'Perseus and Andromeda’ as a monochrome wash drawing. The sepia tones lend the scene an air of classical antiquity. The composition is divided into dynamic sections of diagonal movement with its play of dark and light. Charpentier structures the narrative of rescue through dramatic contrasts: the upper left bursts with Perseus in action, sword raised, shield gleaming, against a relatively empty upper right, where Andromeda is lightly drawn. The diagonal lines of Perseus’s cape, body, and sword lead the eye towards the monstrous sea creature emerging from the depths, emphasizing themes of danger and deliverance. The work destabilizes conventional notions of heroism by presenting Andromeda not as a passive victim but as a figure whose light form and extended arm invite salvation. The semiotic interplay of darkness and light, action and stillness, challenges fixed meanings, suggesting the transformative power of intervention. It's an approach that opens endless possibilities for interpreting the enduring myth.
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A 1762 advertisement in a Paris paper announced, “Monsieurs Charpentier and Floding, authors of a new manner of engraving which imitates wash perfectly, are releasing six prints in this taste.” Perseus and Andromeda was among the first aquatints they published. It reproduces a drawing by Carle Vanloo, First Painter to the King (Premier Peintre du Roi). To make his aquatints, Charpentier reportedly built a special machine that was largely funded by a Swedish drawing collector, Count Carl Gustav Tessin.
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