Maria met Kind, omringd door engelen 1683 - 1733

Bernard Picart rendered this depiction of "Maria met Kind, omringd door engelen" in the late 17th to early 18th century using etching. The halo, a radiant crown above Mary, signifies divine grace, echoing similar symbols in ancient sun worship and Hellenistic art, where light denotes power. The motif of the Madonna and Child, cradled by angels, is a cultural echo, reverberating through time. Consider the Egyptian Isis nursing Horus, a parallel image of maternal divinity. This archetype surfaces and resurfaces, transformed yet familiar, a testament to humanity's enduring fascination with the nurturing mother. The tender gaze exchanged between mother and child, a silent dialogue, evokes a powerful psychological response. It reminds us of our earliest bonds, tapping into a collective memory of safety and love. The cyclical nature of these images is a powerful force, engaging viewers on a subconscious level across centuries.