Portret van Friedrich Benedikt Oertel by Georg Friedrich Schmidt

Portret van Friedrich Benedikt Oertel 1752

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print, engraving

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portrait

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baroque

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print

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figuration

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academic-art

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engraving

Dimensions height 385 mm, width 276 mm

Curator: Here we have Georg Friedrich Schmidt's "Portret van Friedrich Benedikt Oertel" from 1752. The artwork, held at the Rijksmuseum, is an engraving. What strikes you initially about it? Editor: There's a formality, definitely, but the little cherub brings in a counterpoint of…playfulness? It's a study in contrasts. The engraving gives a sepulchral air to the magistrate shown. The baby looks alive and kicking, with a hint of mockery, and the effect is a mixed feeling toward this bewigged fellow. Curator: Absolutely, I find the juxtaposition fascinating. The architectural setting almost transforms Oertel into a sculpted bust. He appears staged and static, while the cherub has his scroll and book at his side, drawing the eye to that banner with the dedication written in Latin script. Editor: That division reinforces social power structures of the era. Oertel's portrait as an individual with importance enshrined within the rigid structures versus the cherub signifying the divine, a symbolic validation. It speaks to how individuals of stature wanted to be perceived, as connected both to earthly power and divine authority. Curator: The selection of engraving also bears significance. Etchings were widely regarded as an artisanal method of graphic reproduction and conferred legitimacy at the time to the people, books, images, maps, and documents represented through them. Editor: I agree, printmaking in this context allowed for broader dissemination and helped propagate particular ideologies and imagery of leadership. Who got to be shown this way, how were they framed, and who paid for these prints shaped public perception and memory. And here is the cherub pointing the gaze to the banner with his name. It’s another trick for eternity. Curator: It’s a complex web of signs, symbols, and techniques working together. Thank you for drawing out so many layers within what may, at first glance, seem like a conventional portrait. Editor: Thanks for your insightful reading, I am more alert now to the hidden messages conveyed in this type of official depiction!

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