Gezicht op het Hotel de Flandre in Spa by Jules Hippolyte Quéval

Gezicht op het Hotel de Flandre in Spa 1866 - 1870

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photography, collotype, albumen-print

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photography

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collotype

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cityscape

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albumen-print

Dimensions: height 86 mm, width 176 mm

Copyright: Rijks Museum: Open Domain

Editor: So, here we have "Gezicht op het Hotel de Flandre in Spa," a collotype and albumen print, created sometime between 1866 and 1870 by Jules Hippolyte Qu\u00e9val. It presents this stately building; almost feels like looking into the past. What do you see in how this image might reflect the cultural moment it was created in? Curator: This image is more than just a cityscape; it’s a glimpse into the burgeoning culture of leisure and tourism in the mid-19th century. Spa was a well-known resort town, drawing elites from across Europe. The grand Hotel de Flandre wasn't just a building; it was a stage for social display and political maneuvering. This photograph, as a collotype and albumen print, democratized that image, making it available to a wider public. Editor: So, the very act of making and distributing this image speaks to societal shifts? Curator: Precisely! The photograph itself becomes a commodity, contributing to the marketing of Spa as a desirable destination. The composition, the careful framing of the hotel—it's all designed to project an image of sophistication and allure. Consider also the social hierarchy at play; who could afford to visit, and who was relegated to observing from afar, perhaps through images like this? Editor: It's like a very early form of advertising! The image promotes not just a place, but a lifestyle. Curator: Exactly. Photography at this time played a crucial role in shaping perceptions and aspirations. The "Views of Belgium" series suggests a constructed national identity, linking landmarks like this hotel with ideas of progress and national pride. It's not simply a snapshot, but a carefully curated view of Belgium presented to the world. Editor: That’s a very different perspective from how I first viewed it. I’m starting to see it less as a static image and more as an active participant in shaping cultural narratives. Thanks! Curator: Indeed, by understanding the social context, the public role, we can really enrich our understanding of this work.

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