Quilt, Star of Bethlehem pattern variation by Ellen Morton Littlejohn

Quilt, Star of Bethlehem pattern variation 1834 - 1850

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fibre-art, textile

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pattern heavy

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fibre-art

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naturalistic pattern

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folk-art

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textile

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pattern background

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pattern design

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folk-art

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organic pattern

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geometric

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repetition of pattern

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pattern repetition

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textile design

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layered pattern

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combined pattern

Dimensions: 88 1/4 x 87 1/8 in. (224.2 x 221.3 cm)

Copyright: Public Domain

Editor: So, here we have the "Quilt, Star of Bethlehem pattern variation" made sometime between 1834 and 1850. It’s a textile piece made by Ellen Morton Littlejohn, and it's currently held at the Metropolitan Museum of Art. It's beautiful! Looking at it, I get this comforting, almost nostalgic feeling, like a warm hug. All those different patterns coming together... it’s stunning. What do you see in this piece? Curator: Ah, yes. A textile, warm embrace. Indeed, there's an intrinsic human touch to this piece. Quilts are testaments, not just of craft, but of stories whispered across generations, of nimble fingers transforming scraps of fabric into luminous constellations. The 'Star of Bethlehem' isn’t merely a pattern; it's hope and guidance represented. The different colours, the various wear of the materials used speak of resourcefulness. I’m thinking, where might those textile scraps originate? Editor: That's interesting... I didn't even consider the *history* within the materials. I was just absorbed in the visual appeal of it all. So the resourcefulness, that's a key part of the context? Curator: Precisely. Think of the limitations – economic, geographical, societal. These women – artists in their own right – breathed life into the discarded, created beauty from constraint. How poetic, isn’t it? And look closely: the geometric rigour intertwined with organic floral motifs. The artist's hand, unrestrained. Editor: I do notice all those small botanical and naturalistic elements; what I initially interpreted as plain background actually carries hidden depth. Curator: Exactly! Each stitch, each choice is intentional, deeply personal, intuitive, reflecting perhaps her surroundings, her beliefs. It's a silent symphony of color and form, woven into history itself. Editor: Wow. It gives you a lot to consider that there is cultural narrative that needs consideration beyond what meets the eye. Now, I'm seeing and feeling more beyond its surface beauty. Curator: It's like gazing up at the night sky: the more you contemplate, the more galaxies reveal themselves. There’s endless room for imaginative reflection when it comes to something like this.

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