View of the Colosseum from the Orti Farnesiani 1833
oil-paint, oil-on-canvas
oil-paint
landscape
romanticism
history-painting
academic-art
italian-renaissance
oil-on-canvas
Antoine-Félix Boisselier painted this View of the Colosseum from the Orti Farnesiani in oil on canvas. The romantic style of the image presents us with a magnificent ruin, viewed from the overgrown gardens on Palatine Hill. Painted in the first half of the 19th century, the image conjures a long history of European painters who travelled to Italy to see its famous ancient monuments. Boisselier presents the Colosseum as picturesque and sublime, but also empty of any social life. He chooses a viewpoint that is itself a relic of an aristocratic family, the Farnese. In its heyday, this garden was filled with classical sculpture, asserting the prestige of the family as patrons and collectors. Now, only a lone monk is present in the foreground. By choosing this vista, Boisselier connects the ancient Roman Empire, the aristocratic families of the Renaissance, and the contemporary tourist trade. We can use tourist guides, hotel lists and ship passenger records to further understand who was seeing these images, and what they meant to different social classes.
Comments
The virtues of heaven and earth merge in this luminous landscape, as a monk sits on an overturned capital (top of a column), repurposed as a place to rest. In the distance, the brilliant midday light envelops the ruins of the Colosseum and the Arch of Titus, reminders of the glory of ancient Rome. The monk’s mind is elsewhere, perhaps absorbed in daily prayers. He’s a Capuchin, identified by his light-brown robe with a small hood, called a cappuccino. Urban legend has it that the popular coffee drink is named after the color of the robe.
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