Monument voor Jacopo Marcello in de Basilica di Santa Maria Gloriosa dei Frari te Venetië by Anonymous

Monument voor Jacopo Marcello in de Basilica di Santa Maria Gloriosa dei Frari te Venetië c. 1882 - 1892

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print, photography

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portrait

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medieval

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print

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photography

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italian-renaissance

Dimensions: height 118 mm, width 90 mm

Copyright: Rijks Museum: Open Domain

Curator: This photogravure presents a grayscale rendition of the "Monument to Jacopo Marcello in the Basilica di Santa Maria Gloriosa dei Frari in Venice," circa 1882-1892, from an anonymous source. Editor: Oh, wow, what a stern portrait! The light makes it look almost ethereal. A warrior looming down from history. Curator: Indeed. Notice the pronounced symmetry, typical of Renaissance monuments, underscored by the balanced distribution of the figures and the architecture. The implied geometric structure anchors the composition, guiding the eye upward. Editor: Totally! I'm drawn to how the lighting models all the subtle texture and decoration here—it makes all that detail almost dance in front of your eyes. I get a somber yet grandiose feeling; as if remembering glory isn’t as sweet as living it. Curator: An acute observation. This piece captures not just physical likeness but also endeavors to portray virtue through classical allusions. Consider the positioning and idealized physique, symbolic nods to prowess and moral character. Editor: I'm thinking, even for a monument, it seems so much more focused on *after* a great victory: resting forever rather than the struggle for victory itself. And the smaller figures –are they angels?–offer an amazing contrast in size. Curator: More likely allegorical figures symbolizing valor, and perhaps prudence or justice, rendered to enhance the dignitas of the central figure. A convergence of ideal form and symbolism elevates Marcello beyond the merely personal to something of a transcendent archetype. Editor: Well, whether you see it my way or not, its hard not to get sucked into how impressive, though silent, these heroes all look—captured within the captured! A quiet reverence. Curator: Precisely. This monument stands as an intricate example of the formal values Renaissance sculpture embraced; the harmony, the proportion, and ultimately the aspirational depiction of man at his finest, meticulously re-captured via photography. Editor: To wrap it up, I'm simply awestruck, as its more like stepping into another realm than a photograph. That intense stillness can easily haunt your memories after viewing!

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