Design for a Stage Set at the Opéra, Paris 1830 - 1890

This stage set design was sketched by Eugène Cicéri for the Paris Opéra, using graphite and watercolor on paper. Cicéri used these materials to capture the grandeur of operatic spectacle; the graphite offering precision for architectural rendering, and the watercolor adding atmospheric depth. Look closely, and you’ll notice a faint grid. This was a crucial tool, allowing Cicéri to plan the set’s proportions accurately, while maintaining a sense of perspective for the stage. The design isn't just a pretty picture; it's a working document that reflects the collaboration between artist, stagehands, and performers. Consider the sheer labor involved, not only in creating the design but also in building the actual sets. In doing so, this challenges the traditional hierarchy between ‘fine art’ and the skilled crafts essential to theatrical production. It highlights the value of all those involved in bringing a cultural vision to life.