New York 1987

Curator: Rosalind Solomon's gelatin silver print, "New York," created in 1987, presents a quietly intense moment of what feels like sacred domesticity. What strikes you about this piece? Editor: Immediately, the stark contrasts jump out. The photograph is dominated by blacks, whites, and grays with interesting textures throughout the image that add another layer to that tonal range. There is a feeling of intimacy conveyed through this limited scale. Curator: Indeed, the textures contribute significantly, especially given the array of culturally significant objects assembled within a seemingly private space. Note the woven textile covering what appears to be an altar and the statue of what seems to be an angel standing next to the altar; these details infuse the image with symbolism. What cultural threads do these elements weave together? Editor: Looking closer, there's a layering of cultural references at play here, a juxtaposition of traditions. The wooden angel in African cloth next to an image of black Madona contrasts Western and African iconography. Curator: And what is the weight and resonance of seeing the sitter’s bare feet so prominently in the frame? I am inclined to imagine a reference to ritualistic, cultural tradition related to walking barefoot. Editor: Certainly, the vulnerability presented adds to its power. We see his feet bearing traces of life—scars, imperfections, the everyday realities of existence presented very deliberately. And this image placement contrasts Western convention in religious images, where bare feet may signal humility, here they signal agency, action and cultural fusion. Curator: This is a photographic image rooted deeply in cultural interplay and intersection. Do you see her portrait engaging social concepts? Editor: Yes, the high contrast helps Solomon portray concepts of diaspora and adaptation, offering insights into resilience. Ultimately, it gives us much to think about. Curator: An evocative moment of cultural hybridity immortalized in monochrome. A potent intersection captured through Solomon’s gaze.