Ewer stand 1562

This is a painted enamel ewer stand made in Limoges, France, by Pierre Reymond in the 16th century. The scene depicts the destruction of vehicles and buildings and people falling from the sky. Enameled dishes like this were luxury items, often commissioned by wealthy patrons. They reflect the humanist culture of the Renaissance. Reymond and his contemporaries drew inspiration from classical mythology and ancient history, blending them with Christian and contemporary themes. This piece seems to represent the Apocalypse. The imagery is incredibly violent and chaotic, a stark contrast to the refined craftsmanship and the elegant settings where such objects would have been displayed. Its commissioner would have been well-versed in religious and classical themes. To fully understand this piece, we must consult historical texts, religious studies, and art history resources. These can reveal the complex web of cultural, religious, and social influences that shaped its creation. Examining patronage records, social customs, and popular beliefs of the time will shed light on the meanings this ewer stand held for its original audience.