Madonna Enthroned with St. John the Tufer and St. Sebastian (detail) by Pietro Perugino

Madonna Enthroned with St. John the Tufer and St. Sebastian (detail) 1493

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painting, oil-paint

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portrait

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high-renaissance

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character portrait

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head

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face

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painting

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oil-paint

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portrait subject

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figuration

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portrait reference

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portrait head and shoulder

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classicism

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facial painting

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christianity

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nose

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portrait drawing

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facial study

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history-painting

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facial portrait

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italian-renaissance

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forehead

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virgin-mary

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celebrity portrait

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christ

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digital portrait

Pietro Perugino painted this detail of Saint Sebastian in Florence, sometime in the late 15th century. We see the saint looking down in melancholic contemplation. The arrow that pierces Sebastian has become a symbolic motif. Originally, arrows were literal instruments of martyrdom, but over time, they have evolved into symbols of spiritual pain and divine ecstasy. Think of Bernini’s depiction of Saint Teresa, pierced by an angel’s arrow. The arrow isn’t merely a weapon; it’s an agent of spiritual transformation. Sebastian’s downcast gaze conveys a sense of introspection and acceptance, a visual representation of the soul’s surrender to higher forces. The suffering of saints, like Sebastian, serves as a mirror reflecting humanity's collective anxieties and hopes. These images resonate so powerfully because they tap into our shared emotional and psychological landscape, echoing through the corridors of time. The cyclical nature of symbols allows them to resurface across different eras, carrying echoes of past meanings while acquiring new layers of significance.

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