Val of Shanganagh, Killiney by Elizabeth Murray

Val of Shanganagh, Killiney 1843

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drawing, print, gouache, plein-air, paper, watercolor

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drawing

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print

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gouache

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plein-air

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landscape

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figuration

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paper

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oil painting

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watercolor

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romanticism

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water

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watercolor

Dimensions 176 mm × 254 mm

Curator: Standing before us is “Val of Shanganagh, Killiney,” created by an unknown artist in 1843. This captivating work, currently residing at The Art Institute of Chicago, employs gouache and watercolor on paper to portray a serene landscape. What strikes you first about this vista? Editor: The tonality. There is an overwhelming feeling of gentleness—a harmonious blend of muted blues, greens, and earthy tones. The composition, although seemingly simple, subtly leads the eye toward the distant hills. Curator: Indeed, it embodies the spirit of Romanticism, reflecting an appreciation for nature's sublimity. The depiction of Killiney Bay evokes a sense of awe. Observe how the tiny figures add a touch of the everyday against the backdrop of untamed beauty. Editor: I find the inclusion of the figures intriguing. Notice their diminutive size—are they symbolic representations of humankind's relationship to the vast landscape or more about the contrast between ephemeral life and permanent landscape? The texture created by layering watercolour and gouache also subtly emphasises depth. Curator: They might echo a certain visual language from Chinese paintings of that era, a cultural reference perhaps for reflection on self-discovery and one’s relationship with their culture, even nature. And these two figures seemingly represent an ancestral longing. Editor: Possibly. I am drawn to the foreground— the rugged coastline juxtaposed with the calm bay presents an interesting contrast. It's a balanced play of textures. Curator: Look closely at the sky; it reminds me of melancholy dreams. The diffused light and subtle gradations create an almost ethereal atmosphere, intensifying the feeling of stillness and reverie. One can almost hear the ocean lapping softly against the shore. Editor: Agreed. While the romantic style certainly emphasises these atmospheric qualities, I find it well crafted. I appreciate the artist's deliberate execution, particularly in rendering the play of light on the water. It gives life to the image and it enhances the subtle colour transitions within the rocks themselves. Curator: It's thought-provoking how such delicate application of mediums—gouache, watercolor, on paper— can evoke the immensity and permanence of our inner feelings. And whether you see romantic landscapes or cultural continuity reflected, art speaks when our soul truly listens. Editor: Very true! It demonstrates the capacity to evoke deeply resonant emotions, despite being composed with restrained formalism.

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