Yomeimon (Back), Iyeyasu c. 1887

Editor: We’re looking at Adolfo Farsari’s “Yomeimon (Back), Iyeyasu,” a photograph from the late 19th century. The gate is incredibly ornate. What stands out to you about it? Curator: Well, consider Farsari's position as a Western photographer in Japan during the Meiji era. He was creating images for a Western audience, shaping their perception of Japanese culture. What elements might have been emphasized to appeal to that market? Editor: Possibly the exotic details and the grandeur of the gate? I hadn't thought about the photographer's role in shaping that perspective. Curator: Exactly. It encourages us to question whose story is being told and for what purpose, doesn’t it? Editor: Definitely! It's fascinating how photography can be a cultural lens.