Ved Vesterborg sø 1827 - 1872

C.A. Kølle made this print of a lake scene, using an etching process. This involves applying a wax resist to a metal plate, scratching an image into it, and then submerging the plate in acid. The exposed metal is eaten away, creating delicate lines that hold ink. The subtlety of this technique is evident in the print's atmospheric quality. The etching captures the reflection of light on water, the textures of reeds, and the distant trees on the horizon. It is a landscape invested with the qualities of the artist’s labour. The printmaking process allowed for the mass production of images, making art accessible beyond elite circles. This had significant social implications, democratizing art. So, when we consider this tranquil scene, we can also reflect on the ways that prints like this helped to shape a wider cultural landscape. It’s a great reminder of how closely materials, making, and context are intertwined.