Gezicht op de Tafelberg en de Twaalf Apostelen in Kaapstad by Blackshaw

Gezicht op de Tafelberg en de Twaalf Apostelen in Kaapstad c. 1940 - 1960

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photography

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landscape

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street-photography

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photography

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mountain

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realism

Dimensions: height 70 mm, width 91 mm

Copyright: Rijks Museum: Open Domain

Editor: This photograph, “Gezicht op de Tafelberg en de Twaalf Apostelen in Kaapstad,” dating from around 1940-1960 by Blackshaw, captures such a sublime vista. The figure really brings out the scale of the mountain, making the scene feel both expansive and serene. What symbolic readings jump out at you? Curator: This image, with its lone figure gazing towards Table Mountain, immediately brings to mind the concept of the *wanderer* often seen in Romantic art, representing an individual contemplating the sublime power of nature. Notice the "Twelve Apostles," that majestic range; it acts as a constant, a visual metaphor perhaps for stability or endurance. Editor: So the landscape takes on a deeper meaning beyond just being a pretty picture? Curator: Absolutely. The mountain itself, with its flat top, feels like an altar. Think about what a table signifies: communion, sharing, knowledge. Blackshaw presents South Africa’s Table Mountain in such a way to create meaning and generate feelings tied to land and being. This figure seems to meditate before it, as though seeking wisdom or perhaps acknowledging something fundamental about the nature of existence. What does it bring to your mind? Editor: I can see what you mean, its stoic form reflecting back the man’s silent appreciation. It’s making me consider ideas around identity, like he's connecting with this place through the mountain. Curator: Exactly! Place and identity are so often intertwined in visual representation. This scene speaks not only to South Africa's physical beauty, but also to the complex relationship people have with it. Images serve as an affirmation and celebration of place, even in the midst of potential turmoil or reflection. Editor: I hadn’t considered that aspect, but looking closer now I realize it adds a really vital dimension to how the photographer depicts the mountain and man! Curator: Indeed! So the image’s immediate feeling is quite different when appreciating all the aspects you’ve introduced me to.

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