Panels from an organ case in the church of Saint Vitus in Naarden c. 1510 - 1520

Editor: This carved wooden panel, likely part of an organ case from around 1510 to 1520, depicts a figure in armor. The craftsmanship is incredible! I’m struck by the way the artist has captured the texture of the metal. What catches your eye when you look at this piece? Curator: Immediately, I observe the emphasis on form and line. Consider the interplay of vertical elements – the figure’s spear, the columns flanking him, and the overall rectangular panel shape. These vertical lines create a sense of rigidity and order, contrasting with the curved archway above. Note also the semiotic function of the Gothic arch; can we say it gives the piece a traditional feel, a link to the late Medieval? Editor: That’s a great point about the contrast. The rigid structure does give the knight an imposing presence. Curator: Precisely! Then consider how the carving's relief creates a sense of depth within the panel's confines. This limited space forces us to confront the figure directly. And note the skillful use of light and shadow achieved solely through carving; it defines the knight’s physique, almost giving the panel a painterly quality. What does it say, do you think, about the relation between media? Editor: It's interesting how the lack of color forces you to focus on the shape and form of everything. The shadows create their own kind of drama, as well. Curator: Indeed. By deconstructing its formal elements – line, shape, form, and the absence of color – we gain insights into the artist’s intent and the work's inherent qualities. Editor: I’ve never considered the formal qualities of a sculpture this deeply. Thanks, that was a fascinating way to look at it.