Bosgezicht met man bij een standbeeld by Théodore Fourmois

Bosgezicht met man bij een standbeeld c. 1825 - 1827

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print, etching, sculpture

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statue

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print

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etching

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landscape

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figuration

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forest

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sculpture

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romanticism

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realism

Dimensions: height 248 mm, width 173 mm

Copyright: Rijks Museum: Open Domain

Curator: Before us is Théofore Fourmois's "Wooded Landscape with Man by a Statue," an etching from around 1825-1827 currently held here at the Rijksmuseum. Editor: Ooh, instantly melancholy. It's like the statue's story is weighing heavily on that seated figure in the foreground. Or maybe he just got dumped. Curator: It is indeed a romantic tableau, isn't it? Statues in landscapes frequently symbolized lost ideals, faded glories. This imagery harkens back to classical settings repurposed for reflecting personal sorrow, or contemplation on time and mortality. The statue itself, depicting figures in embrace, adds layers. Editor: Totally, this print feels so old world, maybe even old soul-like. The figure there sitting seems utterly disconnected from modern things. Like he stumbled through some sort of time warp into an antique park bench. And now is reflecting over the state of modernity while trying to ignore all the Snapchat notifications he just got on his Apple Watch. Curator: (chuckles) Well, perhaps. The piece definitely speaks to that sense of displacement, the confrontation of human scale with timeless artistic expression and the grandeur of nature. In romanticism and realism—which influence Fourmois—the classical and natural meet the intensely personal. Editor: It makes me think about how every generation kinda grapples with history, doesn't it? How do we stack up against the art and stories that came before? Are we living up to the statue? Curator: Precisely. The placement, scale, and almost secretive atmosphere generated by Fourmois' skillful play of shadow all nudge us to reflect on similar questions as we encounter history ourselves. Editor: Thanks! After learning more about what Fourmois aimed to explore through the iconography presented within “Wooded Landscape with Man by a Statue," the entire piece has truly opened up for me. Curator: Indeed. It’s amazing how seeing even seemingly isolated figures positioned near symbolic relics can serve as timeless reminders of humanity's evolving place in art, history, and nature.

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