Reliëf van Maria, Christus en Johannes de Doper, van de San Marco in Venetië by Carl Heinrich Jacobi

Reliëf van Maria, Christus en Johannes de Doper, van de San Marco in Venetië before 1885

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print, relief, paper, photography, gelatin-silver-print

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byzantine-art

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paper non-digital material

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print

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relief

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figuration

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paper

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photography

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gelatin-silver-print

Dimensions: height 314 mm, width 386 mm

Copyright: Rijks Museum: Open Domain

Carl Heinrich Jacobi created this image of a relief from the San Marco in Venice, though the date of the work is unknown. Looking at this photograph, consider how religious iconography and architectural details communicate power and authority. We see Mary, Jesus, and John the Baptist rendered in a traditional, Byzantine style. The halos and idealized features reinforce their divine status, while the intricate arcitecture suggests a sacred space, further emphasizing the importance of the figures depicted. In a patriarchal society, the representation of Mary and her role in religious narratives raises questions about the complexities of female identity and influence within religious frameworks. Religious art served as a means to reinforce particular social and moral values. Consider how this image both reflects and shapes the viewers understanding of religious figures, their roles, and the values associated with them.

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