print, ceramic
portrait
pottery
ceramic
figuration
ceramic
genre-painting
decorative-art
italian-renaissance
Dimensions Overall (confirmed): 3 3/8 × 17 1/2 in. (8.6 × 44.5 cm)
Curator: Look at this marvelous ceramic plate, dating back to 1525-1535, a period deeply embedded within the Italian Renaissance. The Metropolitan Museum holds this artwork, made by the artist Marco Dente. Editor: Oh, my! What strikes me is its intimate warmth. It is, literally, like holding a whole world in your hands. Does that checkered floor mean what I think it means? Curator: Possibly. These objects, like paintings, often depict intimate and even idealized versions of life. You're responding to a piece made during an exciting and challenging time for Italian states. These luxury ceramics held status value. But how? Editor: By carrying this message of... well, family-values on fine, decorative surfaces, maybe. What better way to say 'I value beauty AND motherhood' than commissioning such a tender image? What exactly are they reading anyway? Curator: The script, "Segreto molto a cetto a dio rar," wraps around the central scene; there's some debate about what exactly it means. Plates such as these were made for display as much as usage at elite banquets. They could offer viewers lessons on proper humanist comportment. Editor: True, you can picture it. A Renaissance patron intentionally setting out something visually attractive, yes, but, importantly, socially impressive to be seen, discussed and celebrated around a very civilized dinner-table. That blue around the figures almost gives them this otherworldly quality; a vignette pulled directly from one's imagination, as good advice always is. Curator: The fact that these images come from prints reinforces this too. It circulated images more broadly and influenced how artists composed their ceramic imagery. So, we have this piece here that simultaneously promotes an individual's family identity, reflects socio-political ambitions, and references common themes of moral value circulating through print culture. Editor: So, an aesthetic achievement interwoven with politics and personal aspiration—all fired into ceramic! This little domestic snapshot carries more weight than it appears; definitely makes me want to study the past! Curator: Exactly, this plate's domestic imagery mirrors broader societal themes, enriching how we interpret 16th century Italian life.
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