drawing, painting, watercolor
drawing
painting
watercolor
decorative-art
realism
Dimensions: overall: 28.2 x 37 cm (11 1/8 x 14 9/16 in.) Original IAD Object: 2 1/2'high
Copyright: National Gallery of Art: CC0 1.0
Editor: Here we have "Chest", a watercolor and drawing from around 1937 by Majel G. Claflin. There's something so quaint about it, almost like a child's illustration. It makes me think of simpler times. What's your take on this seemingly ordinary chest? Curator: It is interesting how it evokes such nostalgia, isn’t it? Considering its creation in the late 1930s, during the Depression, it is worth exploring the social context that elevated seemingly simple, functional objects into subjects worthy of artistic representation. How might a focus on craft and home during a period of economic hardship provide a source of comfort or even resistance? Editor: That’s an angle I hadn’t considered. So, you're suggesting the painting itself functions as more than just a pretty picture? Curator: Exactly! The chest, rendered in watercolor, acquires a different weight when viewed as part of a larger narrative about American identity and values during times of struggle. This piece was created at the time of The New Deal program to support artists to help recover from economic downturn; a form of propaganda for The New Deal’s initiatives. Think about the other artistic styles prevalent during that time period too - often more ‘high-brow’. Editor: I see. The choice of subject matter and style would've carried social meaning that resonates more deeply with audiences aware of the historic situation it's in dialogue with. What would be the benefit to make this so commonplace? Curator: Precisely! By representing everyday items, we acknowledge and dignify a specific type of craftsmanship and values; which in itself comments on what 'Art' with a capital 'A' should look like in this environment. Editor: That really broadens my perspective. I initially saw a cute object, but now I'm considering the work’s dialogue with socio-political events that have happened. Curator: And that's precisely the point – objects, seemingly mute, speak volumes once placed within their proper historical context. Editor: Thanks, I’ll never look at a simple chest the same way again.
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