Voetboogstraat of de Handboogstraat te Amsterdam, gezien vanaf het Spui 1907

George Hendrik Breitner made this drawing of Voetboogstraat in Amsterdam with charcoal, and the quick, expressive marks show that art making is really a process. The texture and physicality of the charcoal on paper create a directness, you can almost feel the artist's hand moving across the page. Look at how Breitner uses these confident marks to suggest the forms of buildings and the street. The shadows are particularly evocative. See how a few quick strokes manage to convey the depth and atmosphere of the urban landscape? It reminds me a little of Manet in its casual immediacy, but also maybe Whistler in its tonal restraint. Art is, after all, an ongoing conversation of ideas. It embraces ambiguity, inviting us to find our own meanings within the marks.