Azië c. 1570

This undated engraving titled Azië, or Asia, presents a symbolic vision of the continent. We can interpret this image as a product of the visual codes and cultural references that shaped European perceptions of Asia. Made in a time of increasing trade and colonial aspirations, the print reflects both fascination and a desire to categorize and control. The figure of Asia, regally seated on a chariot drawn by camels, is adorned with jewels and precious objects, emphasizing the continent's perceived wealth. The inscription, "Asia adorns me with pearls and gems," reinforces this view. Understanding the institutional context of such images is crucial. Prints like these circulated widely, shaping public opinion and influencing policy. By examining travelogues, trading company records, and other historical documents, we can gain a deeper insight into how Asia was constructed in the European imagination and the social conditions that made these representations possible. The meaning of this artwork lies in its complex interplay of social, cultural, and historical forces.