Dimensions: 51.3 x 66.5 cm
Copyright: Public Domain
Curator: Ah, this piece practically glows with morning light! It’s Maurice Denis’ “Breakfast,” painted in 1901. The Städel Museum is so fortunate to have it. Look at that palette! Editor: My first impression is definitely how tender the scene feels, despite its almost decorative flatness. There is such loving intimacy captured here. It really draws me in. Curator: The flatness is classic Post-Impressionism, isn’t it? It's less about depicting reality and more about capturing an atmosphere, a feeling. I read the checks of their dresses as an attempt at symbolic containment in the familial. Look how he contains those symbols, that light. Editor: You’re right! That pattern almost merges mother and daughters into a single unit. This could be a representation of the eternal feminine and motherhood is often seen as an immutable and essential symbol, no? Even that the children wear smaller-scale versions of the same dress strengthens the unity. Also, the plate of berries seems almost like a communion. Red is associated with sacrifice... maybe this alludes to the sacrifices of motherhood. Curator: I love that! A domestic ritual, elevated. But beyond the red, the rose on the table feels more lighthearted and suggestive of the small pleasures in life: scent, colour, companionship. Look, in fact, at the ships outside: a wide horizon filled with adventure on one side, versus a familiar domestic scene in a red box room. The piece could ask: Where does real adventure take place, outside or in the heart? Editor: Absolutely! I think the water becomes another mirror to the female unity portrayed in the interior, also connoting femininity. Even if we follow the threads further and imagine ships crossing the horizon toward some distant destination, the family remains a primal and stable foundation. It is really compelling that Denis could capture such duality. Curator: Right, so ultimately, "Breakfast" by Maurice Denis becomes more than just a genre painting. It is an invitation to consider where we seek joy and how we define adventure. Editor: It is a profound commentary on the silent strength of those small, shared domestic rituals. I hadn't noticed the depth here until our chat! Thanks!
An idyllic breakfast: the blissful-looking family of the Nabis artist is seated around a table by the window which affords a view across a bay. The figures are shown close to the viewer and form a compact unit. Thanks to their stylistic homogeneity, the patterns on the fabric of the clothing and the tablecloth fuse to form a decorative surface, whereby the identical patterns on the dresses of the mother and the younger daughter blend into each other. This work reflects Denis's view that a painting is primarily a surface covered with paint in a certain arrangement rather than the rendering of a subject.
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