drawing, paper, ink, pen
drawing
hand-lettering
pen sketch
incomplete sketchy
hand drawn type
hand lettering
paper
personal sketchbook
ink
ink drawing experimentation
hand drawn
sketchbook drawing
pen
sketchbook art
calligraphy
This is Lya Berger’s letter to Philip Zilcken, likely from 1921, written in French in blue ink. Berger, a Dutch artist who was later murdered at Sobibor, maintains a relatively low profile in art history. This letter provides an intimate view into her world. Berger, like many women artists of her era, often had her work overshadowed by male contemporaries. Letters like these become crucial historical documents, offering insights into Berger’s personal relationships, artistic networks, and daily life as a woman artist in the early 20th century. Berger writes of a previous encounter and expresses pleasure in writing to Zilcken. It is the emotional and personal aspects that stand out; the way that she expresses her care and gratitude. Looking at this letter, we’re reminded of the countless untold stories of women artists, whose contributions were often sidelined. This letter not only highlights Berger's personal connection with Zilcken but also serves as a poignant reminder of her tragically shortened life and career.
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