Finding of Moses by Augustin Hirschvogel

Finding of Moses 1548

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drawing, print, ink, engraving

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drawing

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print

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figuration

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11_renaissance

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ink

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history-painting

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engraving

Copyright: National Gallery of Art: CC0 1.0

Curator: Welcome. We're looking at Augustin Hirschvogel’s “Finding of Moses,” created in 1548. It’s an engraving in ink, quite detailed. Editor: Oh, wow. It has an immediate stillness, doesn't it? A curious stillness. Almost like a play is unfolding. I feel that I know what's going to happen even if I haven't encountered this story. A melancholic little scene with some fashionable characters observing something fascinating at the water’s edge. Curator: Yes, Hirschvogel really captured that almost theatrical tension. The queen and her attendants, posed elegantly, versus the vulnerable infant in the river and the action around it. The tension lies in whether she takes action, making it suspenseful. Editor: Absolutely, and the ink engraving highlights it beautifully. Look at those intricate lines, the drapery. I wonder what compelled Hirschvogel to depict this particular story from the Old Testament in such a way? It's definitely about the impending change that's about to occur, not necessarily the rescue itself, or the before-times of Moses' journey. Curator: Renaissance artists often revisited biblical scenes to infuse them with contemporary meanings. Here, you have a visual declaration on the relationship between power and vulnerability, public duty, and personal compassion. It was likely intended to evoke reflections on leadership and morality during a period of great social and religious upheaval. This reflects a deeper dialogue with the viewer of the period to place themselves in a particular part of the story. Editor: Ah, of course! You are completely correct! Given the turbulent era in Europe, with religious reformations and wars erupting around every corner, Hirschvogel invites introspection regarding ethical obligations and responsibilities toward those less powerful, perhaps reflecting internal turmoil. Very thought-provoking indeed! Curator: It's a testament to the engraving’s power that we can still find so much to consider centuries later. Editor: Indeed. Makes you realize some things just resonate no matter the era. Thanks for illuminating it.

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