The Studio 1895

Carl Larsson made this interior view of his studio using watercolor, a medium often associated with spontaneity. But look closely, and you'll see considerable control. The texture of the paper becomes integral to the image; it's not concealed, but rather activated by Larsson’s brush. The rough surface catches the pigment, creating a sense of depth and atmospheric perspective. This effect contrasts with the sharp lines of the furniture and architectural details. The light is modulated by the way Larsson uses thin washes and glazes of color. The choice of watercolor also speaks to a deliberate informality, an embrace of domesticity. Larsson was quite interested in design and craft, and integrated these interests directly into his art. Note all the furniture and textiles rendered with the same loving attention as the paintings themselves. In this way, he was dissolving the boundary between art and life, and also between art and craft.