Silver Patch Box by Hans Westendorff

Silver Patch Box c. 1936

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drawing, paper, pencil

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pencil drawn

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drawing

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aged paper

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toned paper

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light pencil work

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pencil sketch

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light coloured

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old engraving style

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white palette

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paper

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personal sketchbook

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pencil

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pencil work

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decorative-art

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modernism

Dimensions: overall: 22.5 x 29 cm (8 7/8 x 11 7/16 in.) Original IAD Object: 9/16" high; 2 3/16" long

Copyright: National Gallery of Art: CC0 1.0

Curator: This delicate pencil sketch, entitled "Silver Patch Box," was rendered around 1936 by Hans Westendorff. What are your initial thoughts? Editor: There's a certain quietness to it, a subtle elegance. It feels almost like peering into someone's intimate world. The oval form and the floral elements evoke a feeling of traditional femininity and grace. Curator: Note the artist's precise use of line. See how Westendorff employs varying pressure to define the object’s contours and internal ornamentation, carefully distinguishing planes of light and shadow. The composition’s focal point is, of course, the symmetrical arrangement of scrolling foliate motifs radiating from the central floral rosette. Editor: Yes, and the central flower could be read as a stylized representation of a rose, or perhaps a cosmos. Flowers so often serve as symbols of love, beauty, but also of the fleeting nature of life itself, given their ephemerality. What stories might this box have held? Was it a gift, a family heirloom, or simply a cherished object? Curator: Perhaps. But consider how the artist is not attempting mimetic representation. Rather, it’s the exploration of form, line, and tone on the aged paper that constitutes its aesthetic achievement. The drawing in the corner suggests that it could be technical work for design and execution. Editor: True. And a box, especially a patch box like this one, is interesting in itself. During the 18th and 19th centuries, they were frequently used to store beauty patches - small pieces of silk used to accentuate the complexion, or to deliberately draw attention to a particular feature, a symbolic language that is long lost today! Curator: Indeed. The box becomes a frame for more elaborate signs. I admire the subtlety of this study, a delicate orchestration of controlled lines on a toned support, resulting in an intriguing example of representational form. Editor: Ultimately, the image transports us to another time, prompting us to consider the hidden narratives and forgotten rituals associated with objects we may often overlook today. I feel a pang of nostalgia, for a gentler world of refined beauty.

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