Not Far To Go 

Frederick Morgan’s painting, "Not Far To Go," presents a golden scene using oil on canvas, evoking a sense of warmth and pastoral beauty. The composition is structured by the vertical lines of the trees, balanced by the horizontal field of wheat and the figures within it. The scene is dominated by the soft, muted tones of the wheat field and the dappled light filtering through the trees. Morgan employs delicate brushstrokes to render the texture of the wheat and the fabric of the woman’s dress, creating a tactile experience. The interplay between light and shadow adds depth, drawing the eye towards the figures who are integrated into the landscape. The overall effect is one of harmonious unity, where the figures and landscape merge to become inseparable. This emphasis on visual unity serves to reinforce the symbolic relationship between humanity and nature, suggesting a deeper connection that transcends mere representation. The artist uses form to explore our bond with the environment, and invites contemplation about our place within the natural order.