-Birth Bank c. 1860

Curator: What a peculiar form. It’s quite austere and fortress-like, almost resembling a mausoleum… but miniature? Editor: This piece is called "Birth Bank," dating back to around 1860. We believe the anonymous maker constructed it from brass, steel, and other mixed metals. Curator: A “birth bank” crafted during that particular era. I'm intrigued by the visual and the material choice. What was the perceived symbolism behind savings at that time? Editor: It appears the metal work gives the bank a solidity, representing a form of protection but, it is only an impression. I noticed an almost deliberate contrasting aesthetic that undermines that impression, almost tongue in cheek; it could also be interpreted as a critique, given its historical period and associations with decorative arts. Curator: Perhaps, or a parody of aspirations? A mock house? Editor: Precisely. There are architectural elements present but they feel abstracted and strangely flattened as well. The facade has that crude slot that interrupts what could have been a pleasant house! Curator: Interesting indeed. I’m caught by how it’s a visual representation of home and architecture but distilled into a very controlled…almost repressive container for savings? A statement of what "home" can represent for working families? The savings going literally back into the home. Editor: Good point! What do you mean exactly? Curator: Home and prosperity were the visual metaphor but money and industrial savings was becoming an increasing societal pressure for immigrants who sought those goals during a turbulent period? Or perhaps the form acts as a warning against prioritizing only material wealth. Editor: Perhaps it symbolizes those notions, that this “home” is inherently fragile but beautiful at the same time. And, by using decorative language that looks crude, maybe it suggests industrial production and new wealth replacing something more authentic? It is a complex but clever piece. Curator: An unusual piece indeed that deserves our contemplation of shifting attitudes to home and family in mid-19th century, thank you. Editor: Yes, thank you! That was enlightening.