Ontwerp voor een bewijs van toegang by Carel Adolph Lion Cachet

Ontwerp voor een bewijs van toegang 1896

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drawing, graphic-art, paper, typography, ink

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portrait

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drawing

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graphic-art

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comic strip sketch

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art-nouveau

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quirky sketch

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hand drawn type

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paper

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form

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personal sketchbook

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typography

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ink

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idea generation sketch

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sketchwork

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line

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sketchbook drawing

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storyboard and sketchbook work

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sketchbook art

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initial sketch

Copyright: Rijks Museum: Open Domain

Curator: Welcome, so glad to have you with me today. Editor: Thanks! We're looking at "Ontwerp voor een bewijs van toegang," a design for a proof of entry made in 1896 by Carel Adolph Lion Cachet. It's a drawing done in ink on paper, currently at the Rijksmuseum. It's quite loose and sketchy, more of a concept piece. What do you see in this piece beyond its functional purpose? Curator: For me, it’s an echo of a moment, a glimpse into the artist’s mind. It has this raw energy that I find so appealing. Cachet's initial sketch gives you permission to dream a little about how this entry ticket could look, where it could take you. And the text rendered with so much style! It brings the whole artwork to life, what do you think? Editor: I agree, the typography is fascinating. The style does capture the Art Nouveau movement of the time, doesn't it? Curator: Absolutely. Think of Art Nouveau's emphasis on organic forms, lines that feel like they’re growing, text that merges the visual and textual dimensions, an invite to dive into another world through design and lettering! It reminds me that sometimes the most mundane things can be infused with art and imagination. Editor: That makes sense. So, even something as simple as a ticket could be a work of art in itself? Curator: Exactly! And this little sketch reminds us to appreciate the beauty in the everyday and find inspiration in unexpected places, how neat is that? Editor: This has really opened my eyes to seeing beyond the literal. Now, I see it’s a window into Cachet’s creative process. Curator: Wonderful. It's like we've both gained entry, not just to an exhibition, but to the mind of the artist, isn’t it?

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