Twee gezichten op graftomben in de San Marco in Venetië before 1884

This monochrome print captures two views of tomb facades within Venice’s San Marco, created by Carl Heinrich Jacobi in the mid-19th century. The composition, stark and symmetrical, invites a comparative study of architectural forms. On the left, notice the intricate herringbone brickwork arching above the tomb, juxtaposed with ornate, geometric panels below, punctuated by classical columns. The tomb on the right, in contrast, presents a simpler domed structure with more subdued decorative panels. The visual weight is distributed evenly, yet the slight variations in texture and detail encourage a dialogue between ornamentation and austerity. The use of light and shadow, however subtle, plays a pivotal role in defining the volumes and surface qualities of the stone, evoking a somber, contemplative mood. The print underscores the power of architectural representation to negotiate themes of memory and monumentality. Its formal qualities, carefully observed, offer insight into how structures communicate cultural values and artistic ideals.