Large Hat c. 20th century

Editor: This is "Large Hat" from around the 20th century, made by a Tuareg artist. The museum lists the materials as fibre-art and textile. The overall construction really grabs my attention—it's quite sculptural for something meant to be worn. What stands out to you, looking at its pure form? Curator: Formally speaking, the geometric patterns are immediately striking. Observe how the dark lines create a powerful contrast against the lighter woven material. The repetition of triangular motifs generates a sense of rhythm, yet the subtle variations prevent it from becoming monotonous. How do these visual relationships impact your reading? Editor: I see what you mean. It's definitely not just random weaving; there's a clear intent behind those geometric shapes and their placement. They almost feel like a language of their own, like coded symbolism. What’s the significance of the cone form on top versus the flatter brim? Curator: The juxtaposition of these two distinct forms – cone and disc – creates an intriguing visual dynamic. The cone directs the eye upwards, emphasizing height and perhaps signifying status or connection to the spiritual realm, while the brim expands outward, suggesting protection and groundedness. Does this reading influence how you view the work as a functional object? Editor: Absolutely. Considering the structure like that changes the way I understand the whole thing. I thought it was cool, but I now see that it functions at many symbolic levels, based just on the composition. Thanks for unpacking this, I am beginning to appreciate the work more deeply. Curator: Likewise. Thinking through this object, it reinforces how the simplest forms can hold complex visual narratives.