Billede 3 by Lorenz Frølich

Billede 3 1838

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print, engraving

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print

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figuration

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line

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genre-painting

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engraving

Dimensions 68 cm (height) x 104 cm (width) (bladmaal)

Curator: Before us, we have Lorenz Frølich's "Billede 3", created in 1838. It's an engraving, currently housed at the SMK – Statens Museum for Kunst. Editor: Immediately, I'm struck by the energy, though subdued. The linework suggests a quickness of hand, capturing a fleeting moment of domesticity. The expressions on the animals are priceless. Curator: Indeed. This engraving provides a snapshot into 19th-century Danish genre-painting, depicting a boy with his dogs, perhaps in a playful scenario. We can examine the power dynamics present – how control is asserted, learned, or resisted through these interactions with animals who often are reflections of social order and hierarchy. Editor: Absolutely. Looking at the scene symbolically, the dogs at the ready indicate watchfulness or anticipation. There's almost a contrast between the dogs’ dynamism, versus that stoic cat, positioned as guardian of its threshold. The entire scene invites associations of guardianship, protection. Curator: And don’t forget the setting. That threshold, the step – the liminal space. Who is welcome here and who is excluded? Are the figures negotiating these boundaries or reinforcing them? We should consider how depictions of childhood innocence were often deployed to idealize national values, and this engraving seems rife with encoded social meanings. Editor: True. Consider the gaze of each animal – the dogs and the cat observe specific sightlines within this imagined arena, and their expressions could hold an allegorical message for human emotions, their postures representing a range of attitudes. Perhaps Frølich is examining the perceived divide between domestic bliss, and unknown obstacles. Curator: By interrogating these everyday scenes, and revealing what they may represent regarding social codes, expectations, or national identity, we may start new perspectives regarding both present realities and remembered ones. Editor: Agreed. Engaging with Frølich’s engraving unveils how the visual vernacular transmits potent symbols. Its charm opens pathways towards a richer exploration of social interactions.

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