Onderboezem met wapentrofee by Antoine (le jeune) Pierretz

Onderboezem met wapentrofee c. 1655 - 1657

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print, metal, engraving

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allegory

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baroque

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print

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metal

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old engraving style

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form

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line

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history-painting

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engraving

Dimensions height 205 mm, width 134 mm

Curator: This is Antoine Pierretz the Younger's "Onderboezem met wapentrofee," a metal engraving dating to around 1655-1657. Editor: That's quite a mouthful! It depicts... well, what looks like a very ornate mantelpiece, festooned with weaponry and sculpture. It feels so top-heavy, doesn't it? What do you make of the composition? Curator: The visual interest undeniably clusters at the top. Observe how the artist has orchestrated a progression of forms: from the ordered lines of the rectangular frame at the bottom, our eyes travel upwards to the riot of curves, figures, and textures in the elaborate sculptural arrangement. The use of line creates value allowing this texture to take hold. Do you notice any points of visual contrast within this structure? Editor: Now that you point it out, the circular medallion in the center creates a focal point against all those straight edges. Curator: Precisely. The contrast between rectilinear and curvilinear elements contributes significantly to the engraving’s visual dynamism. Furthermore, the symmetrical arrangement lends a sense of formal balance, almost counteracting the ‘top-heavy’ feel you initially observed. Editor: I see what you mean. I was so focused on the overall impression that I missed some of the subtleties in the design. The composition uses balance to help create a visual harmony despite so much happening. Are the lines also adding to the aesthetic value? Curator: Certainly. The quality of line is paramount in engraving. Here, notice how the varying thicknesses and densities of the lines define form, create tonal variation, and contribute to the overall textural richness. Ask yourself how the piece might differ in effect were a different approach to line adopted, perhaps something looser, or more gestural. Editor: That’s a really helpful way to think about it. Focusing on those fundamental elements, like line and form, helps me to understand how it creates balance. Thank you! Curator: A close engagement with these fundamental formal elements is what allows an artwork to be truly seen and understood.

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