[title not known] by Thomas Gainsborough

[title not known] 1819

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Dimensions image: 256 x 192 mm

Editor: This etching by Thomas Gainsborough presents a landscape scene, full of trees, a wagon trail, and even figures resting. It feels… romantic, almost staged. What does this image say to you? Curator: Well, let's consider Gainsborough's social context. He was deeply embedded in the landed gentry. How does this idealized rural scene perhaps serve their interests, portraying a harmonious, almost picturesque, view of their estates and their relationship to the land? Editor: It's interesting to consider that what seems like a simple landscape might be reinforcing a particular social hierarchy. So, the "romance" might be a carefully constructed image? Curator: Precisely. Consider how such images shaped public perception and perhaps justified existing power structures. It encourages us to think about the artwork's public role. Editor: I see. It's less about the beauty of nature and more about the politics of representation. Thanks! Curator: My pleasure. It's all about looking beyond the surface, isn't it?

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tate 1 day ago

http://www.tate.org.uk/art/artworks/gainsborough-title-not-known-t11016

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tate 1 day ago

This print is of a landscape by Thomas Gainsborough held in the private collections of Dr Thomas Monro and George Hibbert. They were reproduced with care. Etching was chosen as the technique, as it best imitates Gainsborough’s expressive handling of paint. Watercolour was later added by hand. They were published in A Collection of Prints Illustrative of English Scenery by John Laporte and William Frederick Wells. Some 30 years after Gainsborough’s death, his paintings had become synonymous with an idyllic vision of the British countryside. Gallery label, October 2019