Design for a Frescoed Altarpiece of The Resurrection 1555 - 1565

Maso da San Friano made this design for a frescoed altarpiece of The Resurrection in the mid-16th century. This drawing provides insight into the religious and artistic climate of Florence during the Counter-Reformation. The scene depicts Christ emerging triumphantly from his tomb, while Roman soldiers scatter in disarray, referencing established visual codes for religious art at the time. During this period, the Catholic Church sought to reaffirm its authority and traditions in response to the Protestant Reformation, and art played a crucial role in this effort. Artists were encouraged to create works that were morally edifying and emotionally engaging, designed to reinforce Catholic doctrine and inspire piety among viewers. This design reflects this emphasis on clarity, order, and emotional restraint, characteristics that defined the art of the Counter-Reformation. By studying the archival records of religious institutions, examining theological treatises, and analyzing the patronage networks that supported artistic production we can better understand the complex interplay between art, religion, and society in early modern Italy.