Triple Compound Machine van HrMs SS Ceram by Koninklijke Maatschappij De Schelde

Triple Compound Machine van HrMs SS Ceram 1887

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photography, gelatin-silver-print

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landscape

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photography

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orientalism

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gelatin-silver-print

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19th century

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realism

Dimensions: height 50 cm, width 64.5 cm

Copyright: Rijks Museum: Open Domain

Editor: So here we have a gelatin-silver print from 1887 of the "Triple Compound Machine van HrMs SS Ceram", credited to Koninklijke Maatschappij De Schelde. There's something undeniably serene, almost dreamlike, about this photograph. The sharp detail of the ship contrasts with the hazy background, giving it a slightly ethereal quality. What catches your eye most in this piece? Curator: Oh, ethereal is a brilliant word for it! For me, this image isn’t just a ship portrait, but a conjuring act. I see more than just the physical vessel; I see the romanticism of exploration, the vastness of the seas it will sail, and perhaps a bittersweet farewell hanging in the air. It makes me think of all the unwritten stories of those aboard! I wonder, does the photograph hint at a narrative for you, a beginning or end to an adventure? Editor: Absolutely! It evokes the golden age of naval power and adventure, doesn’t it? I imagine grand voyages to faraway lands, but also, yes, the inevitable departures and goodbyes. Do you think the technical process, the gelatin-silver print, adds to that effect at all? Curator: I think so. The monochromatic nature and the subtle grain elevate it beyond a mere record; they become a filter of nostalgia. Gelatin silver gives it that "old soul" quality, allowing the vessel to traverse time. If it were a high-definition color photo, would we be having the same conversation, I wonder? Editor: Probably not. It's fascinating how the medium influences our perception so profoundly. I had initially only appreciated the photographic subject, but now I also recognize the value of its tangible essence, its historical story. Curator: That's what makes diving into the old processes so rewarding, I find. It adds layers of complexity, and, ultimately, deepens our connection to what we see, and perhaps, also to what we imagine.

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