Boetvaardige Maria Magdalena by Pieter Schenk

Boetvaardige Maria Magdalena 1670 - 1713

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print, engraving

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baroque

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print

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vanitas

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surrealism

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genre-painting

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nude

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engraving

Dimensions: height 175 mm, width 139 mm

Copyright: Rijks Museum: Open Domain

Pieter Schenk's engraving portrays Mary Magdalene, her gaze uplifted, embodying repentance. Notice the skull at her feet, a stark memento mori, reminding us of life's fleeting nature. This symbol has roots stretching back to ancient times, reappearing in various guises—from Roman banquets where skeletons served as reminders of mortality, to vanitas paintings. In each iteration, it prompts reflection on life’s transience. Here, the skull underscores Magdalene’s spiritual transformation, her turning away from earthly pleasures toward divine contemplation. The cross, a constant in Christian art, is a powerful image of suffering and redemption, yet, it has pre-Christian symbology. The cross appears in ancient cultures as an axis mundi, representing the intersection of the celestial and terrestrial realms. Consider how these symbols resonate subconsciously, tapping into collective memories and archetypes. Magdalene’s sorrow, the skull’s stark reminder, the cross in all its suffering, each engages viewers on a deep, emotional level, prompting introspection. It's a visual journey where symbols from various eras converge, forming a new, poignant dialogue about faith, repentance, and the eternal dance between life and death.

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