Christ seen in half-length, holding a globe surmounted by a cross, after Reni by Anonymous

Christ seen in half-length, holding a globe surmounted by a cross, after Reni 1600 - 1680

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drawing, print, engraving

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portrait

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drawing

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baroque

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print

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figuration

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portrait drawing

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history-painting

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engraving

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christ

Dimensions: Sheet (Trimmed): 6 7/8 × 6 1/8 in. (17.5 × 15.5 cm)

Copyright: Public Domain

Editor: So, here we have an engraving titled "Christ seen in half-length, holding a globe surmounted by a cross, after Reni," dating from sometime between 1600 and 1680. It feels quite somber, almost burdened, but also powerful. How do you interpret this work, thinking about the choices in imagery? Curator: This image speaks volumes through its symbology. Christ holding the globe is a powerful emblem, representing his dominion over the world, literally bearing the weight of its sins. The cross atop it amplifies this, signaling salvation through sacrifice. Do you notice how the engraving’s lines seem to converge on the globe? Editor: I do. It's like everything leads back to that object. Why is that significant? Curator: The orb, or *globus cruciger*, appears throughout Christian art, signaling the power structure inherent to European cultures during this time. Its presence declares not only spiritual but also earthly sovereignty, a visual claim linking divine authority with the governing power of the Church and its temporal rulers. Think of how many royal portraits you've seen bearing a similar symbol of command! What effect does this layering of meaning have, do you think? Editor: It's fascinating. It's a way to use a familiar image and infuse it with both religious and political undertones, reinforcing their interconnectedness. Curator: Precisely. The engraver knew how to tap into that pre-existing visual language, invoking layers of meaning understood across a culture steeped in these symbols. It is about a lot more than only faith. Editor: That really shifts my understanding of it. I thought it was solely about religious devotion. Curator: The image transcends that simplicity, echoing claims of power, faith, and their lasting legacy. A complex piece of visual rhetoric, isn’t it? Editor: Absolutely. I’m definitely looking at it differently now, seeing the connections to broader cultural ideas and how symbols carried significant weight.

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