Clemens Freiherr Von Schorlemer-lieser 1917

This is a photograph, probably taken in the early 20th century by Nicola Perscheid. I can imagine the artist setting up the shot, carefully adjusting the lighting to capture the subject's features. The subject’s gaze is steady, dignified. I wonder what it was like to be the subject of such a formal portrait? Did he feel a sense of self-importance, or perhaps a bit awkward under the scrutiny of the camera? There is a stillness in the image, a sense of quiet contemplation. The grey tones evoke a sense of timelessness, as if the portrait exists outside of any specific moment in history. In a way, the photographer is painting with light, carefully sculpting the image to create a lasting impression. This work reminds me of the work of other portraitists like Nadar, who sought to capture not just the likeness of their subjects, but also their inner character. The camera is a conduit for human connection, a tool for preserving memories and telling stories across time.